This is a photo of Tom Trusky, who was a professor at BSU who happened to be a good friend of mine. Tom loved to find little treasures that were lost to history. He discovered that there was once a movie studio on the shores of Priest Lake run by a woman named Nell Shipman. Little was known about her, and the films she produced there had mostly been lost to time. Tom decided he’d find them. He had no idea how difficult that would be. He searched archives in Canada, the United Kingdom, and in Russia. He began finding them, one after another until he found every single one of her films.
On top of that, he found her unpublished autobiography and convinced BSU to publish it under the title The Silent Screen and My Talking Heart.
Tom Trusky wrote the following about Nell in 2008: “In the summer of 1922, Nell Shipman Productions moved from Spokane, Washington to its final residence, Priest Lake, in the Panhandle of North Idaho. There, the company would complete shooting of what historians and silent film fans term Shipman’s magnum opus, The Grub-Stake (1922), and four noteworthy two-reel films in a series titled The Little Dramas of the Big Places (1924). Although Shipman and her crew could not have known it, this was sundown for the democratic, “Indie,” one-girl-do-it-all days of cinema. Dawn of the next day, the studio system and male movie moguls would define for decades what Hollywood meant, prior to the advent of television, Gloria Steinem, Sundance, satellite feeds, and on-line downloads.”
Nell Shipman was the screenwriter, director, star, and stunt woman in her movies. They featured strong women more likely to save men from danger than the other way around. Her pioneering included what by today’s standards would be a PG-rated nude scene of her showering beneath a waterfall. The movie was hyped with the slogan, “Is the nude, rude?” Shipman Point in Priest Lake State Park is named for this early film pioneer.
Because of the scholarship of Professor Trusky, who passed away in 2009, Boise State University is the home to a digital collection of Shipman photographs and other memorabilia. Many of her films are available online. Revival of interest in Shipman resulted in an award-winning 2015 documentary called Girl From God’s Country,” by Boise filmmaker Karen Day.
On top of that, he found her unpublished autobiography and convinced BSU to publish it under the title The Silent Screen and My Talking Heart.
Tom Trusky wrote the following about Nell in 2008: “In the summer of 1922, Nell Shipman Productions moved from Spokane, Washington to its final residence, Priest Lake, in the Panhandle of North Idaho. There, the company would complete shooting of what historians and silent film fans term Shipman’s magnum opus, The Grub-Stake (1922), and four noteworthy two-reel films in a series titled The Little Dramas of the Big Places (1924). Although Shipman and her crew could not have known it, this was sundown for the democratic, “Indie,” one-girl-do-it-all days of cinema. Dawn of the next day, the studio system and male movie moguls would define for decades what Hollywood meant, prior to the advent of television, Gloria Steinem, Sundance, satellite feeds, and on-line downloads.”
Nell Shipman was the screenwriter, director, star, and stunt woman in her movies. They featured strong women more likely to save men from danger than the other way around. Her pioneering included what by today’s standards would be a PG-rated nude scene of her showering beneath a waterfall. The movie was hyped with the slogan, “Is the nude, rude?” Shipman Point in Priest Lake State Park is named for this early film pioneer.
Because of the scholarship of Professor Trusky, who passed away in 2009, Boise State University is the home to a digital collection of Shipman photographs and other memorabilia. Many of her films are available online. Revival of interest in Shipman resulted in an award-winning 2015 documentary called Girl From God’s Country,” by Boise filmmaker Karen Day.
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